{"id":2429,"date":"2015-02-27T18:18:55","date_gmt":"2015-02-27T18:18:55","guid":{"rendered":"http:\/\/astoryisnotatree.net\/?p=2429"},"modified":"2020-02-12T21:38:38","modified_gmt":"2020-02-12T21:38:38","slug":"interview-with-philadelphia-street-artist","status":"publish","type":"post","link":"https:\/\/astoryisnotatree.net\/?p=2429","title":{"rendered":"Cultural HiJack: Interview with Philadelphia Street Artist"},"content":{"rendered":"<p>12 January 2015<\/p>\n<p>Before I set out to design and install my interactive art piece, I considered the importance of hearing about Philadelphia\u2019s street art scene from an active participant. I managed to get in touch with a local street artist, who agreed to an interview if they could maintain anonymity. This artist uses found materials to create text pieces, that they then screw onto signposts. I had seen these pieces as well as text-based stickers by the same artist around Philadelphia on many occasions. The artist also has a bit of an internet presence. Since some of his pieces directly address the audience (the audience being pedestrians who happen to walk past it), I thought this person would be a good example of creating work that inspires interaction.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p>Here are some of the artist\u2019s thoughts on street art, interactive art, and documentation:<\/p>\n<p><strong><strong><\/strong><\/strong><\/p>\n<p><strong><strong><br \/>\n<\/strong><\/strong><strong><strong><\/strong><\/strong><\/p>\n<p><i>Why do you share your art on the streets?<\/i><\/p>\n<p>I get a thrill from the whole process of producing and installing the work, so that&#8217;s the selfish reason. But I also do it because I want people to actually be looking around them as they walk around the city. I want to produce something that catches your eye so that after you leave it behind, you&#8217;re starting to look for more things to catch your eye and snap you out of the everyday.<\/p>\n<p><strong><strong><\/strong><\/strong><\/p>\n<p><strong><strong><br \/>\n<\/strong><\/strong><strong><strong><\/strong><\/strong><\/p>\n<p><i>Why anonymously?<\/i><\/p>\n<p>Well there&#8217;s the law, for one, and just the general sense that some people might judge me harshly for putting up street art. It&#8217;s easier to not deal with that. I know anonymous street artists who work for the government, or as teachers, or in finance, or in other fields where a morals clause in their contracts might mean that they could be fired for doing street art. So anonymity provides some protection and separation from a private life. But I think more importantly it&#8217;s more fun for the viewer if the artist is anonymous. It creates mystery. Fans are curious. Why does that artist do what they do? A nice side benefit is honest feedback. I&#8217;ve had conversations with people who don&#8217;t know who they are talking to, and we&#8217;ll start discussing my artwork, but they&#8217;ll think they are just talking to some random person on the street, or a new drinking buddy at an art opening, but instead they&#8217;ll be telling the artist exactly what they really think. Most importantly though is the mystery that comes with anonymity. It provides artistic freedom and excites fans.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>What&#8217;s an ideal reaction you&#8217;d hope to illicit from your work?<\/i><\/p>\n<p>What the hell? This is terrible\/evil\/hilarious\/eyeopening! I could do this. Hell, I could do better. I will do better. Is street art really this easy?<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>Is there anyone in particular you&#8217;re trying to reach?<\/i><\/p>\n<p>When I started, I was trying to reach people already in the street art community. I felt that Philly street art could be so much better, and so I was trying to inspire local artists to try different and better things. My work was a challenge to mediocre street art to improve. Now, it&#8217;s 80% that, and 20% geared towards anyone willing to notice it and think differently about their day or their surroundings.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>How important is documentation to you?<\/i><\/p>\n<p>When I started, I documented 95% of what I did. It was essential to my practice. I was trying to create a street art persona online without producing amazing work or doing very much of it. My theory was that good documentation and social media marketing would make up for sub-par art. I was right. Now, I don&#8217;t document as much of my work myself, but I make sure to do as much of it as I can in places where I believe it will be documented by others. I recognize that internet visibility matters, and documentation is very important to day.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>Is having a web presence important for street artists? Why or why not?<\/i><\/p>\n<p>A web presence isn&#8217;t essential to street art, but it is essential to street artists. What I mean is, to do street art in its purest form doesn&#8217;t require a web presence, but to use street art as a means for promoting your own art career requires a web presence, and these days, most street artists use their outdoor work as a way to get into galleries and museums rather than as a rejection of those systems.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>Are you inspired by other texts artists? Other street artists?<\/i><\/p>\n<p>I steal my words from other text artists, and I find other street artists equally inspiring and revolting. In the few years I&#8217;ve been active, I&#8217;ve seen the Philadelphia scene mature slightly, and that&#8217;s inspiring.<\/p>\n<p><strong><strong>&nbsp;<\/strong><\/strong><\/p>\n<p><i>What made you decide to start putting up your work?<\/i><\/p>\n<p>A frustration with the trappings of the mainstream artworld and general scenesterism have crept into street art, an artform intended to be anonymous and free.<\/p>\n<p><strong><\/strong><\/p>\n<p><strong><br \/>\n<\/strong><strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>12 January 2015 Before I set out to design and install my interactive art piece, I considered the importance of hearing about Philadelphia\u2019s street art scene from an active participant. I managed to get in touch with a local street&#8230;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[121],"tags":[],"class_list":["post-2429","post","type-post","status-publish","format-standard","hentry","category-cultural-hijack","wpcat-121-id"],"_links":{"self":[{"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/posts\/2429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2429"}],"version-history":[{"count":2,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/posts\/2429\/revisions"}],"predecessor-version":[{"id":13080,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=\/wp\/v2\/posts\/2429\/revisions\/13080"}],"wp:attachment":[{"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/astoryisnotatree.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}